SmallRig Super Clamp with Ballhead mount for Camera Monitor, LED light – 1124
Product description
If you want a steadier, more convenient setup for a camera monitor, LED light or small accessories, this SmallRig Super Clamp with ballhead mount (1124) is a sensible idea on paper. It’s the kind of desk/rod clamp that helps you avoid improvising with straps and wobbly stands.
That said, it’s not a magic fix for heavy gear. The clamp is designed around attaching equipment under 1.5kg/3.3lbs, and it’s built to suit “small bits of kit” that benefit from a quick, adjustable mounting point.
What it is and what it’s for
The SmallRig Super Clamp 1124 is a clamp mount with a 360-degree articulated ballhead and a 1/4" screw connection. In practical terms, you tighten the clamp onto a compatible surface (like a desk edge, tube/rod, tripod, or similar), then attach a monitor, LED light, microphone, flash, or other accessory that has a bottom 1/4" thread.
A typical use case? Imagine you’re shooting a vlog at a desk: you clamp it to a table or vertical pole, attach a small monitor via the 1/4" screw, then tilt and pan the monitor into a comfortable viewing angle. It’s quicker than setting up a separate stand, and you can re-position it when your filming setup changes.
Where it stands out in use
This mount is built around adjustability and convenience.
The head offers 360-degree articulation via a swivel ball-head, so you’re not locked into a single angle. For filming, that flexibility matters—especially when you want your monitor or light to face the subject without moving your whole rig.
It also includes a protective rubber padding on the clamp, which is there to help reduce the risk of damage to a desk/table surface when you tighten it down.
There’s also a modular element: the articulating arm part can be taken off and changed to a cold shoe clamp mount. So if your accessory setup relies on a cold shoe, this offers another mounting pathway rather than making you buy a separate adapter.
Key specifications that affect buying decisions
A few technical points are worth noting because they directly limit or expand what you can mount.
- Adjustable jaw opening range: clamps with a maximum opening of 40mm/1.57" and a minimum of 15mm/0.6".
- Connection size: uses a 1/4" screw, and the included 1/4"-20 camera-type thread is part of how accessories mount.
- Head movement: 360-degree articulation through the ball-head.
- Frame material: made from an aluminium alloy body.
- Clamp suitability: designed for gears under 1.5kg/3.3lbs.
If your surface is outside the jaw range, or your accessory is heavier than the stated limit, this is where it may not meet your needs—even if it looks like it would “fit”.
Pros, cons, and the reality check
Why it makes sense: if you frequently adjust your filming layout, having a clamp that locks onto a rod/tube/table edge and a ballhead that can swing into position is genuinely useful. The cold shoe swap option also gives you a bit of flexibility depending on your accessory.
Where it may fall short: it’s aimed at smaller on-set accessories rather than heavier payloads. If you’re looking to mount something hefty or want a fully “set-and-forget” studio stand, this may feel like a mid-range clamp solution, not a dedicated pro rig.
It’s a solid concept for vloggers/YouTubers and general creator setups, but you’ll want to be realistic about load and clamping surfaces.
Compatibility considerations (what to check first)
Before buying, double-check these points:
You’ll need an attachment that can use the 1/4" thread on the accessory side (the mount uses a 1/4" screw approach). The product description also mentions LED lights, microphones, flashes, small action cameras, and camera monitors as typical examples—but what matters is whether your item has the right thread or can use the cold shoe option when swapped.
Also consider the clamp jaw opening. The minimum/maximum of 15mm to 40mm affects what thicknesses it can grip securely.
Finally, pay attention to the surface type. The clamp is positioned for use on things like table/desk edges, rods/tubes, tripod setups, umbrella structures, hooks, shelves, plate glass and crossbars. Still, if the surface is fragile or prone to slipping, you may find yourself tightening more carefully than you expected.
Is it worth it?
A solid pick if you’re setting up a small camera monitor, LED light, microphone or similar gear and you want quick repositioning thanks to the 360-degree ballhead. It’s especially worth considering if you often shoot at a desk and want a clamp-based solution rather than a full stand.
You may want to skip it if your equipment is heavy (it’s intended for items under 1.5kg/3.3lbs) or if your mounting surface is outside the 15mm–40mm clamp range. It might not be a great match if you need something that behaves like a dedicated, load-rated production support for larger rigs.
Quick FAQ
What gear can the clamp mount attach?
The description suggests it can mount a monitor, small action camera, LED lights, microphones, flash, and other accessories that use a bottom 1/4" thread.
Does it adjust angles?
Yes. It includes a swivel ball-head for 360-degree articulation, so you can fine-tune viewing and pointing angles.
Will it fit my desk or pole?
It depends on the clamp jaw opening. The opening range is listed as 15mm minimum to 40mm maximum.
Can it use cold shoe accessories?
According to the product notes, the articulating arm part can be removed and changed to a cold shoe clamp mount.
What’s in the box?
The set includes 1 x clamp mount, 1 x 1/4"-20 screw, and 1 x Allen wrench.