NEEWER Variable ND2–ND32 & ND64–ND512 Kit for DJI Osmo Pocket 3 Creator Combo

What this is for (and why it matters)

If you shoot video on the DJI Osmo Pocket 3 and you keep running into that “too bright / shutter speed won’t cooperate” problem, a variable ND filter kit is one of the simplest ways to regain control. This NEEWER kit pairs two variable neutral density ranges—ND2–ND32 and ND64–ND512—with extra screen protection, aimed at keeping your footage flexible across mixed light conditions.

On paper, it’s built for creators who want smoother motion effects and more consistent exposure when the light changes. Think of panning past bright storefronts, filming near water, or catching clouds moving over a sunny scene—without having to constantly change camera settings.

Key features you’ll actually use

The kit includes two adjustable ND filters covering different strength bands:

• ND2–32 (listed as 1–5 stops) for medium light, helping you slow down shutter speeds and use wider apertures when it suits your look.
• ND64–512 (listed as 6–9 stops) for brighter conditions, designed to let you keep longer shutter times even when the scene is very bright.

It’s also described as having “hard stops” at both ends. That’s a real practical detail if you like knowing you’ve reached the exact ND level for a properly exposed take, rather than guessing where the filter sits.

What to expect with variable ND filters

Variable ND filters are about creative control, but they’re not magic. The description includes an important limitation: using the maximum aperture may lead to a black X-shaped cross (“black cross”) caused by the interaction between the VND filter and certain lenses and focal distances. That’s the kind of thing you only notice once you try your typical shooting style, so it’s worth considering before you commit.

Also, the brand notes a couple of usage reminders:

• When using wide-angle/macro lenses or ND/CPL filters, don’t apply any protective film to the camera.
• When the Pocket 3 has the wide-angle lens fitted, the wide-angle can’t be used together with ND, CPL or other filters.

So the kit helps most when your setup matches its intended use—otherwise you may spend more time swapping parts than filming.

Where it stands out (materials and protection)

For optics, the kit is described as using high-definition optical glass and a precisely machined CNC aluminium frame. It also has a multi-layer coating that’s resistant to scratches and oil, which matters because filters are easy to touch, clean, and handle during fieldwork.

It’s not just about the lens side, either. The package includes two tempered glass screen protectors, with bubble-free adhesive for a tidy fit. That’s the sort of “small thing” that reduces day-to-day worry—fingerprints, dust, and accidental scuffs—especially if you’re travelling or filming on the move.

One practical note: the screen protector and the adjustable filter are installed in separate locations. The protector attaches to the camera’s screen, while the filter attaches to the camera lens.

Who it suits, and who may want to look elsewhere

This kit makes sense if you: - Often film in shifting daylight and want exposure control without constant adjustments. - Like motion blur effects (the kit calls out things like smoother waterfall footage and motion-blur style results). - Want a flexible ND approach by covering two different ND ranges instead of relying on a single strength.

It may not suit you as well if: - Your shooting style regularly uses the Pocket 3 wide-angle lens alongside ND/CPL filters (the note says they can’t be used together). - You frequently shoot at maximum apertures and would be annoyed by the potential black cross artefact at certain lens/focal distance combinations.

In other words, it’s more of a “creator-focused control accessory” than a set-and-forget protection bundle.

Getting the most from it (quick practical example)

Imagine you’re filming a slow walk along a bright promenade. Without an ND filter, the Pocket 3 may force you into faster shutter speeds or smaller apertures for exposure. With the ND2–ND32 range, you can likely dial down the light to keep your motion looking smoother. If the scene is suddenly harsher—sun reflecting off water—switch into the stronger ND64–ND512 range so you can maintain longer shutter timing even under bright conditions.

It’s a simple workflow once you’ve found your comfort zone: check brightness, select the right ND band, then fine-tune within that range.

Tech specs

• Name: NEEWER Variable ND2–ND32 & ND64–ND512 Kit Compatible with DJI Osmo Pocket 3 Creator Combo Accessories
• Type: Variable neutral density (VND) filters kit
• Format: ND2–ND32 and ND64–ND512
• Stops: ND2–ND32 (1–5 stops), ND64–ND512 (6–9 stops)
• Key detail: Hard stops at both extremes for more precise exposure control
• Materials: High-definition optical glass, CNC aluminium frame
• Coating: Multi-layer coating (scratch and oil resistant)
• Included items: 2 adjustable ND filters, 2 tempered glass screen protectors

Is it worth it?

Buying this is worth it if you want neutral density control for the Osmo Pocket 3 and you’re willing to work within the filter/lens limitations described (especially around wide-angle and max-aperture behaviour). The ND range coverage is the big selling point here, and the included screen protectors help you protect the camera without adding extra purchases.

You might want to skip it if you mostly shoot in consistent lighting and never really need to slow down shutter speed for motion effects—or if your go-to setup relies heavily on the wide-angle lens with ND/CPL together, or you’re particularly sensitive to the “black cross” artefact risk at maximum aperture.

Mini FAQ

Can I use the screen protectors and the ND filters together?

Yes, but the screen protector is applied to the camera screen, while the adjustable ND filter fits to the lens—these are installed in different locations.

What does the kit include?

The kit includes the variable ND filters (ND2–ND32 and ND64–ND512) and two tempered glass screen protectors.

Will this work for very bright outdoor scenes?

That’s where the stronger ND64–ND512 range (listed as 6–9 stops) is intended to help.

Is there any limitation I should be aware of?

Yes. The description warns about a potential black X-shaped cross when using maximum aperture due to filter/lens interaction, and it also notes restrictions involving wide-angle/macro lens use with ND/CPL.