NEEWER FS150B video light with 2.4G/APP control, 130W bi-colour COB and Bowens mount

If you’re building a compact lighting kit for interviews, portraits or content creation, the NEEWER FS150B is the kind of LED that looks straightforward on paper and then earns its keep in day-to-day filming. It’s a 130W bi-colour COB light with a 2700K–6500K range, plus wireless 2.4G control and an app for group-style setups. That combination matters if you’re regularly moving between lighting positions, or you want consistent output without fiddling every time.

Still, it’s not perfect for every situation. Depending on your workflow, you may find yourself weighing options around control ecosystem, light shaping, and how much output you truly need for larger spaces.

The essentials

The FS150B is a continuous LED video light aimed at creators and small studios who want a bright, portable source that can be dialled precisely. On top of its basic bi-colour output, it includes PWM dimming so you can adjust brightness from 0 to 100% in 1% steps, which is useful when you’re matching exposure across takes.

Where it becomes more interesting is control. You get both an onboard 2.4G system and an Infinity App approach, including group control concepts and OTA firmware updates (so it’s designed with expansion in mind). If you shoot multi-light setups, the idea of changing one light and having others follow on the same channel is a practical time-saver.

What to expect from the light output

According to the product details, the FS150B can reach up to 72000lux at 1m. That’s a strong headline number for a compact unit, and it’s paired with a claimed CRI 97+ for faithful colour rendering. For video work, this kind of high colour fidelity is often more noticeable than you’d think—especially when you’re shooting people and want skin tones that don’t look “off” under mixed lighting.

The unit also covers a wide bi-colour temperature range (2700K to 6500K). So, whether you’re trying to warm up an interview look or cool it for a more neutral/modern tone, you’re not limited to one fixed colour temperature.

One thing to bear in mind: more output is only helpful if you can shape it. The included reflector and the Bowens mount compatibility are there to help you control the beam, but if you’re expecting a super soft, wraparound look straight out of the box without any modifiers, you might be disappointed.

Dimming, patterns and effects in real use

This light supports precise PWM dimming from 0–100% with 1% increments, plus four dimming patterns: exponential, logarithmic, S and linear. For filmmakers and creators, patterns can make the difference between “it looks right” and “it’s a bit jumpy” when you’re fine-tuning brightness for different scenes.

There are also 12 effects built in. In practice, these are typically the sort of features you’ll use selectively—maybe for music-style clips, product B-roll with stylised flicker, or when you want a quick visual change without setting up separate lighting cues. It’s not the same as having a fully custom DMX rig, but it’s handy when you want creative variety on demand.

Control options: 2.4G and the app

The FS150B is designed for remote operation. The 2.4G system is described as supporting group control across different models on 00–99 channels, within 15m (49ft). If you’ve ever had to run back and forth during a shoot to match lights, you’ll appreciate the workflow angle here.

The Infinity App is also mentioned for group control and features such as Light Source, Source Match, CTO/B, and FX Music. The practical benefit is that you can coordinate more than one light without having to remember the same settings repeatedly.

Worth noting: the details about compatibility list several other models by name, so if your kit is built from very different lights, you’ll want to double-check whether your existing system aligns with this “group control” approach.

Bowens mount and modifiers you can actually use

The FS150B uses a standard Bowens mount. That matters because it opens the door to using common light shaping accessories like softboxes, snoots and beauty dishes.

It also includes a reflector with a scale pattern interior, which is intended to distribute the light evenly. There’s an umbrella socket too, allowing you to fit an umbrella and the reflector mounting at once. If you’ve worked with umbrellas before, you’ll recognise this as a convenient setup style for interviews and talking-head videos where you want smooth coverage.

As an example of a realistic setup: imagine you’re filming a YouTube-style interview at close range. You place the FS150B on a stand, add a suitable modifier to soften the beam, set a starting bi-colour temperature (say somewhere in the mid range), then use 1% PWM dimming to match exposure when you move from a bright foreground to a darker background. The remote control helps here because you can tweak lighting without constantly stepping in front of the camera.

Portability, cooling and power choices

The light is described as portable (3.8lb / 1.7kg) and includes a tilting stand mount adapter for angle flexibility. There’s also a silent cooling fan system that automatically reduces heat based on working temperature, designed to support quiet shooting environments.

On power, you have dual options: continuous operation via a power adapter or UK plug power cord, and the ability to run on a V mount battery (battery sold separately). The product details mention an XLR power input with a cable lock to prevent the cable from loosening, which is a small but welcome “real life” feature for continuous shoots.

Pros

• Bi-colour range (2700K–6500K) with high claimed colour rendering (CRI 97+)
• PWM dimming from 0–100% in 1% increments, with multiple dimming patterns
• 2.4G remote control with group-style channel approach, plus app support
• Bowens mount compatibility for common softening and shaping accessories
• Silent fan design aimed at quieter operation

When it makes sense

A solid pick if you’re shooting continuous video content—interviews, portraits, YouTube/TikTok recording, live streaming or studio production—and you want a compact bi-colour COB light with more control than a basic on/off dimmer. It’s particularly attractive if you plan to use multiple lights and care about matching output between them.

It might not be a great match if you only need occasional fill light at close range, or if your existing lighting workflow doesn’t align with the listed 2.4G/app group control concepts. Also, if you expect a very “ready to soften” experience, remember you’ll likely still want a modifier (the Bowens mount helps here, but it’s not the same as an integrated softbox).

Mini FAQ

Is the NEEWER FS150B suitable for video rather than photography only?

Based on the continuous output focus, remote control approach, and PWM dimming details, it’s clearly positioned for video and filming workflows (portraits, interviews, streaming and creator content).

What does PWM dimming help with?

On paper, PWM dimming with 1% increments and selectable dimming patterns is mainly about controlling brightness more precisely and smoothly than simpler step dimmers.

Can I control multiple lights at once?

The 2.4G system is described as supporting group control using channels 00–99, and the app also mentions group control and source matching features.

Does it work with softboxes and other light shapers?

Yes, it uses a standard Bowens mount, which is described as compatible with softboxes, snoots and beauty dishes.

Final verdict

It’s worth considering if you want a portable, bi-colour COB video light with precise PWM dimming, strong claimed colour rendering, and remote control options that suit multi-light setups. It may be worth skipping if you only need basic lighting, you’re not planning any remote/group workflow, or you’re expecting maximum softness without modifiers—because output control still relies on how you shape the beam.